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11.05.2022

Roses have Thorns

Roses have Thorns Their performances in Independence Square in Kyiv spread the fame of girl band Dakh Daughters – seven actors from experimental troupe Dakh Theater Kyiv – beyond the borders of Ukraine. Roses. Film-Cabaret

Making films in wartime: Ukrainian director Irena Stetsenko fled from Kyiv to the west of the country. In our interview, she talks about the Independence Square experience and the therapeutic effect of art. Her latest documentary »Roses. Film-Cabaret« about a Ukrainian cult band will be shown in May at the MITTEL PUNKT EUROPA film festival at Gasteig HP8.

A life between air raid sirens and the latest film project

Since Russia invaded Ukraine, a war has raged at the heart of Europe. In our Zoom interview, filmmaker Irena Stetsenko explains: »Many people outside Ukraine don’t understand that the war didn’t start on 24 February 2022; it’s actually been going on since 2014. It’s just that now the situation has totally escalated.«. Like many others, she fled with her two children from her home in Kyiv to the west of Ukraine and is now trying to somehow keep everyday life going – as much as she can in wartime. At the start of our conversation – with her producer Oleksandra Kravchenko interpreting – we have to turn the sound off for a few minutes because the air raid siren is going off in the background. Stetsenko’s debut documentary »Roses. Film-Cabaret« will be shown in May at the MITTEL PUNKT EUROPA film festival and explains that war has been raging in eastern Ukraine for eight years already.

Irena Stetsenko hofft, dass der Krieg schnell vorbei ist. Gleichzeitig weiß sie, dass es keine gute Strategie ist, sich an diese Hoffnung zu klammern.

The film spends five years following Ukrainian female punk band Dakh Daughters, who have gained cult status in their home country with their blend of musical cabaret, performance and political activism. »Roses« is a tragicomic musical and is now more on point than ever before. Stetsenko: »The film is like a prequel to current events because it tells the back story about how the Ukrainian nation was reborn in Independence Square. This knowledge makes us more resilient against the awful war that is currently happening.« As the filmmaker explains, the cinema release of »Roses« was delayed – first by the pandemic and now by the war – but she and her producer are undeterred. Stetsenko says: »We won’t give up and we want the film to be shown.«.

 


Art as therapy

There’s a point in the film when a member of Dakh Daughters explains what they do: »We are peacemakers, we are myth creators, all of our performances are therapeutic.« As the filmmaker explains, culture has been the driving force for change in society throughout history. »Art gives us the strength, the courage and the motivation to be aware of what is happening around us and not to simply be subsumed into the powerless masses.« Songs and performances by Dakh Daughters often blend folk tunes with European contemporary music and cultural phenomena. Their eponymous song »Roses/Donbas«, for example, which alludes to the cultural conflict in the Donbas and which they wrote a year before the Russian invasion, was viewed as a kind of artistic prophecy and became a hit in Ukraine.

The war currently being fought in Ukraine is a European war. Stetsenko: »Ukraine deliberately chose democracy, peace and European values – and those are what we are now fighting for.«. Although it’s an abstract goal, the director says that she's lost all sense of future. Right now, she doesn’t want to leave her country and is working on a new film about a musician; after all, filming goes on, even in wartime, or rather: now more than ever.

Interview and text: Anna Steinbauer

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